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Showing posts with label NFT. Show all posts
Showing posts with label NFT. Show all posts

Tuesday, March 28, 2023

NFT Plan Dropped

From the BBC, indicator of a bubble? 

NFT: Plans for Royal Mint produced token dropped

Plans for the NFT for Britain were launched when Rishi Sunak was chancellor

By Helen Catt & Sam Francis

Plans for a government backed non-fungible token (NFT) produced by the Royal Mint have been dropped, the Treasury has announced.

Rishi Sunak ordered the creation of a "NFT for Britain" that could be traded online, while chancellor in April 2022.

NFTs are assets in the digital world that can be bought and sold, but which have no physical form of their own.

The Royal Mint announced it was "not proceeding with the launch" following a consultation with the Treasury.

Economic Secretary Andrew Griffiths said the department would keep the proposal "under review".

NFTs have been touted as the digital answer to collectables, but some sceptics fear they could be a bubble waiting to burst. They have been used as speculative assets and some have sold for millions of dollars.

Responding to the announcement, Harriet Baldwin, chair of the Treasury Select Committee, said: "We have not yet seen a lot of evidence that our constituents should be putting their money in these speculative tokens unless they are prepared to lose all their money.

"So perhaps that is why the Royal Mint has made this decision in conjunction with the Treasury."  ... ' 

Tuesday, February 14, 2023

NFT's and Art Definition in Court

Where will this lead?  Definition fading?   Not even artistically relevant?  Investment Caution.

ACM NEWS

Jury Rules that NFTs Aren't Really Art   By Futurism, February 13, 2023

This case seems to boil down to one of the most well-known fashion houses in the world enforcing its ownership of its brand.

In the past year, the NFT market has plummeted even worse than the cryptocurrency market.

A new legal precedent just dropped in the case of Hermès versus Mason Rothschild, a self-described "conceptual artist" who used the company's iconic Birkin bags as a backdrop for his "MetaBirkins" non-fungible token (NFT) collection.

As the New York Times reports, Hèrmes won its lawsuit against the 28-year-old artist after he sold NFTs that featured the legendary handbag with all kinds of strange overlays, from a clear version that had a fetus edited into it to a fuzzy-handled one that had mammoth tusks.

A nine-person federal jury in Manhattan ruled this week that in spite of Rothschild's insistent cries of protected artistic expression, he had nevertheless infringed upon Hèrmes' copyright — and failed to meet a legal test used to determine what is and isn't art, too.

Using the Rogers test – named after the actress Ginger Rogers, who in 1989 sued filmmaker Alberto Grimaldi for using her trademarked name in the film "Ginger and Fred," only to have a jury rule that the filmmaker's use of her name was "artistically relevant" — the jurors in the "MetaBirkins" case determined that Rothschild's NFTs didn't meet that standard.

From Futurism

View Full Article    

Sunday, February 05, 2023

Virtual Birkin Bags on Trial in Hermès Case Testing IP Rights

 Virtual property rights examined in NFT's examined.  Assets , virtual versus actual.  

Virtual Birkin Bags on Trial in Hermès Case Testing IP Rights

By The Wall Street Journal, February 3, 2023,  in CACM

Image shown:  A Laura Merkin Georgie ruffled metallic clutch.

Legal analysts say the trial represents an important early test of how a company can exercise its rights against virtual assets it didn’t authorize.

French luxury brand Hermès is suing digital artist Mason Rothchild in a New York court to prevent him from selling nonfungible tokens (NFTs) of its Birkin handbags, claiming it violates trademark law and dilutes its brand.

Rothchild argues the First Amendment protects his "MetaBirkins" as artwork, while legal analysts say the case is an early test of exercising rights against unauthorized virtual assets.

In his legal declaration, the artist maintains the NFTs are imaginary bags rather than replicas, intended to artistically explore conspicuous consumption.

Hermès responded in court documents that Rothchild "seeks to make his fortune by swapping out Hermès' 'real-life' rights for 'virtual rights'.”

From The Wall Street Journal

Monday, December 05, 2022

Coinbase and Apple

Fees for crypto transfers 

Coinbase removes NFT transfers from iOS app following dispute with Apple

By Duncan Riley in SiliconAngle

Coinbase Inc. is the latest company to have issues with Apple and its App Store policies, claiming that it has been forced to remove nonfungible token transfers from its iOS wallet because Apple wants a cut of the transfer fees.

Nonfungible tokens, better known as NFTs, rose to popularity in late 2020. Although interest in them has dropped precipitously, there is still an active market for buying and selling them. Most NFTs reside on the Ethereum blockchain and transfers on the blockchain require “gas,” a transaction fee, to make a transfer. It’s a fee that all users may pay to perform any function on the Ethereum blockchain.

Apple, for unclear reasons, now thinks it’s entitled to a 30% cut of the gas fee of any NFTs transferred using Coinbase. The case is unlike other disputes with Apple wherein developers, most notably Epic Games Ltd., argue that Apple’s 30% cut is unfair. At least when buying items in “Fortnite,” Apple is taking a cut out of Epic Games’ profits. There’s nothing to take from Coinbase because it’s not a fee it receives, keeps or profits from.

“For anyone who understands how NFTs and blockchains work, this is clearly not possible,” Coinbase wrote in a tweet. “Apple’s proprietary In-App Purchase system does not support crypto, so we couldn’t comply even if we tried.”  .... ' 

Friday, November 25, 2022

Regarding an NFT Bubble

This surprised me,  below is an outline, and then beyond.  Legit?  Following up.  I will remove if I find this invalid. 

From DSHR Blog:   https://blog.dshr.org/ 

I'm David Rosenthal, and this is a place to discuss the work I'm doing in Digital Preservation.

Tuesday, October 25, 2022

Non-Fungible Token Bubble Lasted 10 Months

Although the first Non-Fungible Token was minted in 2014, it wasn't until Cryptokitties bought the Ethereum blockchain to its knees in December 2017 that NFTs attracted attention. But then they were swiftly hailed as the revolutionary technology that would usher in Web 3, the Holy Grail of VCs, speculators and the major content industries because it would be a completely financialized Web. Approaching 5 years later, it is time to ask "how's it going?"

Below the fold I look at the details, but the TL;DR is "not so great"; NFTs as the basis for a financialized Web have six main problems:

Technical:    the technology doesn't actually do what people think it does.

Legal:           there is no legal basis for the "rights" NFTs claim to represent.

Regulatory:  much of the business of creating and selling NFTs appears to violate securities law.

Marketing:   the ordinary consumers who would pay for a financialized Web absolutely hate the idea.

Financial:      like cryptocurrencies, the fundamental attraction of NFTs is "number go up". And much of the trading in NTFs was Making Sure "Number Go Up". But, alas "number go down", at least partly because of problem #4.

Criminal: vulnerabilities in the NFT ecosystem provide a bonanza for thieves.   ....   

(more at DSHR) ...  

Wednesday, September 14, 2022

Can't be Evil NFT Licenses?

Admit I do not entirely understand, reconsidering: 

The Can’t Be Evil NFT Licenses  Formerly from A16xcryprom,  Andreessen 

by Miles Jennings and Chris Dixon, August 31, 2022

Two decades ago, the newly formed Creative Commons (CC) released its first set of free, public licenses, enabling creators to open up aspects of their copyrighted work to the public for sharing, remixing, and reuse beyond the default “all rights reserved” notice. Today more than two billion CC-licensed works exist — among them the popular xkcd webcomics by Randall Munroe; user-generated content sites like Flickr; open access to digital images of public-domain artworks displayed in New York’s Metropolitan Museum of Art; the online science journal PLOS One; and educational resources like Khan Academy and Wikipedia.

A key feature of the Creative Commons model is levels of permissions granted by the original creators or copyright holders — whether for adaptations, derivatives, commercial use, and so on — with CC0 being the most permissive as it essentially dedicates the copyrights to the public domain. Previous copyright licensing regimes were overly restrictive for many creators, and couldn’t keep pace with what the internet and then-new digital technologies made possible. This limited creators and the larger community from participating in shared “culture and knowledge production,” a movement that is only growing in importance today. 

Now that web3 innovations are testing the limits of traditional legal frameworks, it’s time for a new set of licenses, designed specifically for non-fungible tokens, or NFTs. The recent wave of CC0 (no-rights reserved) NFT projects, for example, has spotlighted the Creative Common’s most permissive agreement, but prominent creators (including record-smashing graphic artist Beeple) have used some form of CC license for years, while other NFT projects choose different customized terms. However, many NFT projects omit licenses altogether, or draft licenses that create more ambiguity than they resolve. Some copyright vulnerabilities have led to significant confusion around NFT licenses, and a number of other legal problems. 

To help address these issues, we’re releasing a set of free, public “Can’t Be Evil” Licenses, designed specifically for NFTs and inspired by the work of Creative Commons. The licenses are freely available for use by the community, and serve three goals: (1) to help NFT creators protect (or release) their intellectual property (IP) rights; (2) to grant NFT holders a baseline of rights that are irrevocable, enforceable, and easy to understand; and (3) to help creators, holders, and their communities unleash the creative and economic potential of their projects with a clear understanding of the IP framework in which they can work. Since most early-stage projects don’t have access to legal resources, we worked with some of the foremost IP lawyers in the web3 space to design six types of broadly applicable NFT licenses and make them available for all. 

The case for NFT-specific licenses

Many people buy NFTs to own an avatar, an artwork, or any number of other creative outputs — but the reality is they usually can’t be sure of what they’re getting. When you buy an NFT today, you’re usually purchasing a tokenID (stored on a blockchain), along with metadata that “points” or refers to some other content file (typically stored off-chain, though there are examples of fully on-chain artwork). This fact causes confusion regarding rights of NFT buyers in the vast majority of cases.

US copyright laws do not automatically grant buyers of artwork (both traditional and digital works) the right to reproduce, adapt, or even publicly display the artwork. Without a license or assignment of the copyright from the NFT creator, the buyer cannot exercise any of the rights under copyright (such as reproduction, adaptation, and public display) except through copyright exceptions such as “fair use” which are narrow and uncertain. 

Licenses allow creators to grant holders additional rights, but to date, licenses aren’t applied consistently across projects. Many projects launch without licenses, or with custom licenses that create more ambiguity than they resolve. Licenses (and other documentation of what buyers are legally allowed to do with their NFTs) are often kept off-chain, where they could be changed in ways holders don’t expect. 

These issues are compounded by the fact that copyrights are notoriously difficult to transfer. Even a savvy buyer has no way to inspect an infinite bundle of rights and know which ones a previous owner may have already given away. 

Standardized NFT-specific licenses should ideally be tracked and enforced on the blockchain to provide more certainty for users. Better licensing frameworks have the potential to make high quality licenses more readily available, clear up ambiguity around ownership, and save creators some of the burden (and expense) of creating their own licensing regimes. 

Applying the “Can’t Be Evil” principle to NFT licenses: .... 

Tuesday, September 06, 2022

NFTs on Your TV

 Not understanding this fully either.

LG brings NFTs to its LED and OLED TVs

Okay, who asked for this?

By Igor Bonifacic  in Engadget

Over its long history, LG has never been shy about jumping on some unusual bandwagons. So it should come as no surprise that the South Korean electronics giant is getting into NFTs. Starting today, if you live in the US and own a webOS 5.0 or later TV, you’ll have access to the company’s new LG Art Lab platform. It’s a marketplace for buying and selling non-fungible tokens available directly through your TV’s home screen. It’s based on the Hedera network and uses LG’s new Wallypto mobile wallet for storing digital assets. There’s even a countdown feature that will remind you when NFT drops are about to occur.

The timing of the addition is curious, to say the least. Judging by daily trading volume on OpenSea, the public has lost interest in non-fungible tokens. On August 28th, the marketplace processed $5 million worth of NFT transactions, a 99 percent drop from the record high of $405.75 million it saw just a few months earlier on May 1st, 2022. Over that same timeframe, the floor price of some of the most highly sought-after NFT collections has also declined. At the start of May, a Bored Ape Yacht Club token would have set you back at least 153.7 Eth (or about $434,000 with the value of Ethereum at the time). By August 28th, you could buy one for as little as 73 Eth or a little over $105,000. ... ' 

Thursday, September 01, 2022

NFTs Targeted

Laundering of assets via NFTs seen.    

NFTs Increasingly Targeted by Criminals

By The Wall Street Journal

August 30, 2022

Blockchain analytics firm Elliptic warned criminals are increasingly targeting nonfungible tokens (NFTs), reporting the scamming of over $100 million worth of such blockchain-based assets during the past year.   Since 2017, more than $8 million in proceeds from illicit activities has been laundered via platforms enabling NFT creation, purchase, and sales.

Another $328 million originated from obfuscation services, including mixers that allow users to exchange cryptocurrencies relatively anonymously.   Elliptic disclosed that the Tornado Cash mixer platform originated about $137 million of cryptocurrencies processed by NFT marketplaces, and was "the laundering tool of choice" for 52% of NFT scam proceeds.

The report also said NFT-using platforms are under threat from sanctioned entities and state-sponsored groups, and recommended proactive risk management to fight off malefactors and screening for such entities ...   The report recommended proactive risk management to fend off criminal actors and highlighted the need to screen for sanctioned entities and keep them from using NFT platforms. .... 

From The Wall Street Journal

View Full Article

Sunday, July 24, 2022

NFT's and Blockchain for Engineering

Upcoming community pieces that look to be of interest, join in.  Below just an intro, click through for registration and more detail.  If I can I plan to.

Does the engineering world need to care about NFTs and blockchain?  in Venturebeat. 

Join executives from July 26-28 for Transform's AI & Edge Week. Hear from top leaders discuss topics surrounding AL/ML technology, conversational AI, IVA, NLP, Edge, and more. Reserve your free pass now!

If the first question out of people’s mouths about either blockchain or NFTs is “What exactly are they?” the second question inevitably is “Is this something that I actually need to care about?”

If you’re an artist who makes a living selling art, the answer might be yes. But if you’re in the engineering world, the potential benefits are far less clear.

If you’re an artist, you can see where this might be useful: You can put your art up for sale, and a collector can purchase an NFT that says that they are the official owner of that piece of artwork. (In theory, anyway – more on this in a bit.)

So, how might this apply to the engineering software space?     ‘I did that’

Unlike the individuals in the art world, people in the engineering world don’t generally create 2D files and 3D files just for the purpose of artistic expression and then try to sell them. They’re creating these assets because they intend to do something with those files, like designing and manufacturing an actual real-world object.

So, strike one: not much utility to be found for NFTs and blockchain on that particular front. But maybe there’s some other application in the engineering space, perhaps around intellectual property and documentation of the product development process?

Picture a manufacturer that is designing an innovative new bicycle. One engineer is in charge of the bike frame. As they go through the development process, each time they make a new CAD file, they check it into the blockchain so that their work on this new product is documented on the blockchain. Years down the line, if they need to prove their work on this product for some reason, a permanent, publicly available record is there for all to see, and the engineer can say “I did that.”

It sounds like a nifty use case. But alas, here is where the “theoretical” benefits of blockchain quickly run into some buzzsaws.     Not so fast…

For starters, while there are a small handful of companies making technology that does this type of thing, they are few and far between. In terms of the innovation-adoption curve, this field is really still in its infancy – which is surprising since the underlying tech has been around for almost 15 years.

That’s not to say that there aren’t plenty of enthusiastic voices out there around the potential of blockchain and NFTs in the engineering world – but not all of them have saintly motives. If someone has purchased a boatload of Bitcoin or NFTs for purely speculative reasons, they’re likely to champion anything having to do with blockchain and its potential because it indirectly benefits the investments they’ve already made.

Then there’s the matter of blockchain’s environmental impact. Even the newer, more evolved blockchain protocols like Ethereum still consume gargantuan amounts of energy [subscription required] as they record and validate transactions across a distributed and decentralized ledger. With the “proof of stake” mechanism for validating entries, this energy usage is less of a problem, although it has other issues. The bottom line, however, is that, on a fast-warming planet [subscription required] staring down a climate emergency, blockchain is a hard technology to embrace unless transactions can be made radically more efficient.

All of this is to say nothing of the fact that much of what blockchain could enable the engineering space to do is already possible to do – and much more easily accomplished – via existing methods. Want to show proof of prior work on a product? Any time you check your CAD file into some kind of CAD or PLM system, there’s an audit trail of who accessed, created or modified the file. Need an indisputable patent? There’s a patent office that decides those types of things.

While it might be nice to get an “official” NFT saying that the work in a CAD file is officially yours, that NFT doesn’t mean you own it in any legal sense. It’s just a digital signature that means something in “the world of blockchain” but doesn’t necessarily mean something legally. ....  '

Saturday, June 18, 2022

Crypto Industry Battles to Exempt NFTs, DeFi From Tax Reporting Rules

More instability in crypto world 

Crypto Industry Battles to Exempt NFTs, DeFi From Tax Reporting Rules.  The OECD is trying to introduce new rules to stop crypto being used to stash assets out of sight of the taxman.  

By Jack Schickler in Coindesk 

Crypto industry representatives pushed back at attempts to make them report details of NFTs, decentralized finance (DeFi) transactions and retail payments to tax authorities at a meeting of the Organization for Economic Co-operation and Development (OECD) in Paris on Monday.

Under existing rules, known as the Common Reporting Standard (CRS) – whose U.S. equivalent is the Foreign Account Tax Compliance Act (FATCA) – banks are required to identify any account holders who are tax residents abroad and send their details to the appropriate authorities to make sure they aren’t evading tax.  ...'

But the industry has argued these requirements are a lot harder to meet for NFTs whose price – unlike, say, stocks or gold – isn’t known at any given time. They also point out that similar non-digital assets such as paintings aren’t included in existing rules ....  '

Wednesday, June 08, 2022

NFTs as a Tangled Thought

Good overview.... 

The Tangled Truth about NFTs and Copyright

If code is law, countless NFTs are built on buggy code     

By James Grimmelmann, Yan Ji, and Tyler Kell  Cornell   Jun 8, 2022,   in TheVerge

A long-running meme at The Verge is that copyright law is the only functional law on the internet — the entire internet is just made of copies, after all, so copyright law has become the go-to mechanism for everything from fighting harassment to stopping leaks. Confusion about how copyright law works is everywhere — and it’s getting even more complicated in the world of Web3. What does “owning” something on a blockchain mean, when that something is still just a bit of code that can be infinitely copied? Courts and lawmakers haven’t settled the question, and many NFT projects have run into immediate, confounding problems as they have conflated owning an NFT with owning a copyright.

To help, we’ve adapted a guide on copyright and the blockchain from three legal scholars from Cornell University and the Initiative for CryptoCurrencies and Contracts (IC3) — James Grimmelmann, Yan Ji, and Tyler Kell. It explains how courts might actually treat NFTs — and why everyone who buys and sells them needs to take copyright law more seriously. - Adi Robertson and Nilay Patel   ...  (much more at the link) ...

Monday, June 06, 2022

The Intelligent Crypto Thesis

Don't understand this as yet, but reaching out.  

Opinion Essay

AI and machine learning will usher in new forms of digital assets from intelligent NFTs to self-determining DeFi protocols.   This essay is part of CoinDesk's 'Big Ideas' series.

By Jesus RodriguezLayer 2   Jun 5, 2022 at 4:08 p.m. EDT in Coindesk

“Software is eating the world” has become one of the iconic phrases of the last decade of the software industry. Quoted in 2011 by software legend and venture capitalist extraordinaire Marc Andreessen, it synthesized the idea that companies that operated mostly in the physical world were transitioning to the digital economy in a trend that will essentially transform every company as a software company.

Jesus Rodriguez is CEO of IntoTheBlock, a blockchain and cryptocurrency market analysis firm. This article is a preview of a talk he will give this week on the Big Ideas stage at Consensus 2022 in Austin, Texas.

In recent years, the evolution of machine learning (ML) and artificial intelligence (AI) has permeated all areas of the software industry, leading many experts to claim that “machine learning is eating software.” Crypto and digital assets are rooted on the foundation of code and programmability and, consequently, are likely to be influenced by ML-AI trends. The intersection of ML-AI with digital assets is likely to usher in a new era in which intelligence becomes a native component of crypto assets.

The idea of intelligent crypto assets is conceptually trivial but full of practical challenges. Which are some of the fundamental ML trends that can rapidly impact the next generation of crypto assets? How about the main scenarios that can benefit from intelligence capabilities in crypto or some of the key technical challenges that need to be overcome for crypto to become intelligent. This essay explores some of these ideas and develops a thesis about the potential of the intersection of crypto and ML.

Only crypto can be natively intelligent

An important point to realize when thinking about AI-ML in the context of crypto-assets is that crypto is the only asset class in history that has the potential to become natively intelligent. AI-ML capabilities in traditional asset classes such as commodities or equities are implemented in vehicles like robo-advisors or quant strategies that live outside the asset itself. Even though there is an obvious role for those vehicles in the crypto space, crypto assets can natively embed those AI-ML capabilities in the assets. This benefit is, obviously, a side effect of the programmable and digital capabilities of crypto. Crypto assets are based on code and that code could take the form of AI-ML models.   .... ' 

Saturday, May 28, 2022

NFTs to Create Lodging Reservations

Unusual Application for NFTs

 Hotels Using NFTs to Create ‘StubHub’ for Lodging Reservations

The Wall Street Journal, Peter Grant, May 24, 2022

Some hotels are wagering they can reduce excess inventory from sudden cancellations by converting room nights into nonfungible tokens (NFTs) that guests can buy or sell. The Pinktada startup has launched a booking system that lets guests purchase NFTs to reserve rooms at participating hotels in the Caribbean, Mexico, San Francisco, and Hawaii, at a discount from what each establishment would charge for a refundable reservation. The hotels' revenue is assured whether the room is used or not, and guests whose plans change can use the tokens for other Pinktada resorts, or sell them to other travelers in the network. Pinktada said it only allows its members to participate in its marketplace, and makes membership data available to the property owners. .... ' 

Sunday, May 22, 2022

Gen Z and Cryptocurrency and NFT

In a recent encounter also  discovered this, was surprised at the fluency seen in  these technologies.  But not the risk in their use.  

How Gen Z is hooked on cryptocurrency and NFTs

By Mariko Oi   in the BBC Technology, Asia business correspondent

The lure of making a quick buck has always attracted young people to invest in risky assets. For Generation Z, it is the volatility - and the decentralised nature - of digital assets such as cryptocurrency and NFTs which appeals. But they are unregulated, meaning there is little investor protection.

"All my friends were talking about [cryptocurrency] so one day I just decided why not just jump in and see if I can make some money," says 20-year-old Paxton See Tow.  All he needed was his phone and trading thousands of dollars' worth of assets was only a click away.

Generation Z - also known as Zoomers - are the age group born between the mid-1990s to early-2000s. They grew up online, playing games and meeting friends virtually, so the transition is natural., Cryptocurrencies are digital currencies while a "non-fungible token" (NFT) is a way of owning an original digital image, touted as the digital answer to collectables. .... '

Wednesday, April 20, 2022

NFT and Brands

 Do they mean anything for brands at all?

Why NFTs should be seen as worldbuilding opportunities for brands  in Venturebeat

Brands planning to sell NFTs in 2022 face stiff competition and rising holder expectations. Some successful NFT projects like World of Women offer utility-focused NFTs to holders with real-world value. Some have partnered with motion designers, musicians or 3D artists to stand out. Others write stories where NFTs are characters and a community votes on their “journeys.” A select few make cartoons to keep holders engaged. Companies and groups have already gone beyond traditional monetary incentives to attract Web3 developers in today’s tight job market. All of those NFT projects share one thing: none are tied to a legacy brand or recognized IP. 

The “why” is clear to crypto art enthusiasts, Discord community leads, brand strategists and storytellers — brands aren’t creating a presence. This key element to creating stickiness has been ignored as big consumer brands, towed by their PR teams, sprint to the expectation of NFT windfalls. But they forget to bring the Web3 picks and shovels.  ...'

Wednesday, April 13, 2022

Innovative, Practical Applications of the Metaverse: Podcast and Transcript

 Good overview,   Note it points to past pieces. 

Innovative and Practical Applications of the Metaverse

March 29, 2022 | Podcast  with Richard Ward, Mina Alaghband  of McKinsey

The immersive experience of the metaverse allows for massive shifts in training, education, and work. In this episode of the At the Edge podcast, McKinsey expert Richard Ward speaks with McKinsey’s Mina Alaghband to share the myriad ways in which metaverse technology is already being implemented and how executives can get started to discover where the business opportunities exist, including no-regret moves they can make today.

An edited transcript of the discussion follows. For more conversations on cutting-edge technology, follow the series on your preferred podcast platform.

Podcast transcript:

When it comes to your organization, what are practical ways to use the metaverse?

Why not practice first in the metaverse, where it’s low cost, you can do things in an infinite way, and you can make the impossible happen? Those types of things really offer people more efficiency and productivity.

Mina Alaghband: That’s Richard Ward, a McKinsey senior expert who joins me today. This is the last of a three-part series on the metaverse. I’m Mina Alaghband. Welcome to At the Edge, a production of McKinsey’s Technology Council.

Richard, thank you so much for joining us today. We’ve heard a lot about this ten-year aspiration for the metaverse to be a place where we all reside and have our identities, and there is a secondary economy that some say will be even bigger than the real-world economy. But business leaders will want to know what this looks like today, and what it will look like over the next few years. Could you start by describing some of the near-term use cases you’re seeing in the market?

Richard Ward: The things that you can do today are really quite interesting. On the VR [virtual reality] end of the spectrum, a lot of heavy industries and even the United States military have discovered that when you need to teach people a new vocational skill, like how to repair a piece of equipment such as a truck or a helicopter, one of the really long parts of that educational process is people learning where all the parts are on the equipment. So a number of organizations have decided to go VR and metaverse first, rather than real-world first.

It used to take 18 weeks to train a new recruit to work on one of these helicopters, but what they do now is hand a new recruit a pair of VR goggles, which in effect gives them their own private helicopter to learn on. They spend several weeks doing very intensive quizzes and simulations—where is the air filter and what order do you put these wires in? And one of the fascinating things that has come out of this is that they’ve been able to shorten their training course from 18 weeks down to ten weeks. This provides a real-world example of how if you need to do something that is very manual or requires you to move around a lot, metaverse tools can be very helpful. That’s one of the key elements of the metaverse: you can move around, you can walk places, you can see things, you can do things.

This technology is very powerful in terms of helping people learn things that are manual or tactile in the hand and that involve muscle memory. Much of the world does this type of work, and to be able to make the training for it more efficient and higher quality is a very exciting story.

Mina Alaghband: Can you give us an example in the financial services industry? What might an application of the metaverse look like today or in the near future?

Richard Ward: Whether you agree with the idea of NFTs—nonfungible tokens—the fact is that they are an asset class, and the financial services arena is starting to bring all of their usual skills and capabilities into this new asset class. There have now been loans that have been collateralized based on the agreed-to value of these NFTs. Similarly, there was a report recently about a firm issuing a mortgage for a virtual real estate deal in one of these digital, proto-metaverse environments.1 That’s essentially a collateralized loan, but still it’s very exciting that these kinds of concepts flow through this new digital setting.

The thing that adds a lot of interest to this is that the use of NFTs involves a lot of foreign exchange activity. So you have money going between, let’s say, US dollars into Ethereum, and then from Ethereum into another [crypto] coin or into other similar kinds of assets that are somewhat semifungible—those are activities that are very familiar to the financial services sector. It’s basically foreign exchange trading and management of risk. We’re still in the very early days, and I would defy anyone to truly be able to tell us about everything that financial services will be able to do five years from now.

Mina Alaghband: If I’m in the industrial sector, what kind of applications might I be seeing today? And are these examples of augmented reality [AR] or VR?

Richard Ward: In field operations, people are starting to use AR for remote assistance provided through a smartphone or a tablet or even a set of fancy glasses with special lenses in them.

The really interesting part about this is when you start using the data generated from this process. For example, you could ask, “What are the things that we’re getting the most remote assistance calls on?” and then flow that information into updating the training program. You could then use that data to update an assessment program to see if people really did learn the things they need to learn, and then potentially see the number of calls for a category of problems go down.  .... "

Sunday, April 10, 2022

Sophie: Virtual Brand Ambassador?

 A link linking  Metaverse and Voice called Sopie, can it provide some environment for a related sale?   Concept very interesting will it work?

Virtual Human Brand Ambassador Sophie is Selling NFTs and Metaverse Art Experiences

ERIC HAL SCHWARTZ  in Voicebot.ai

 Virtual human developer Uneeq is promoting digital brand ambassador Sophie to a new role producing a collection of non-fungible tokens (NFTs) for sale. Purchasing an NFT from the “I Am Sophie” collection earns the customer an additional conversation in Sophie’s metaverse art studio, where the AI will create a new custom piece of art based on the discussion.

VIRTUAL HUMAN, NFT, METAVERSE

NFTs, virtual humans, metaverse, and Web3 are more than just a list of 2022 buzzwords. Uneeq’s project connects all of those concepts along a logical path. The New Zealand-based developer behind the virtual Albert Einstein project created Sophie’s mix of conversational AI and interactive visuals for companies like BMW, Deutsche Telekom, and IBM to use as a brand ambassador. The same tech can generate NFTs and personalized artwork and Uneeq worked with Nothing Much NFT. ... '

Monday, April 04, 2022

NFT Stock Alert

 Good short piece on the potential value, risks and alternatives to investing in NFTs

Motley Fool Issues Rare "NFT" Stock Alert

Andrea Jankelow, Investing  in   Fool.com

 April 4, 2022  ... ' 

NFT Mint Sweet Spots

Read this with some interest, but not with full understanding .... suggest you look at the link for more, including explanatory charts.   I too am always looking for new ways to make a living.  Could this be linked with auction optimization?

Andreessen Horowitz  A16z

The NFT Mint ‘Sweet Spot’: Data on Early Decisions

by Daren Matsuoka ( cryptocurrencies & blockchains  a16z crypto  code releases  NFTs  what the smartest people do on the weekends...)

NFTs offer creators a new way to earn a living online. The technology, which has several applications, allows creators to appeal directly to fans for patronage — without having to rely only on extractive, ad-based, centralized platforms as intermediaries.

But it’s important that creators take special care when setting the initial parameters for their NFT mints (the process that puts their work on a blockchain, allowing it to be sold and more). This is because these early decisions can affect the viability, and vitality, of their projects. 

To share some early data that may offer creators some insights across projects besides their own, I analyzed minting data from the top 150 NFT collections on OpenSea, the popular NFT marketplace [disclosure: an a16z crypto portfolio company]. Here are some benchmarks and quick takeaways from that data, based on a new dashboard that I created on Dune Analytics:

NFT mint price

Choosing an “ideal” NFT mint price is key. A higher initial price means more revenue gets generated up front, assuming there is enough demand. But a higher initial price will also dampen the potential returns for a creator’s earliest backers, which could impact the volume of secondary sales. (Creators being able to easily receive royalties from secondary sales is one of the benefits of NFTs.)

According to the data set, NFT collections with mint prices set greater than 0.25 ETH have rarely achieved returns greater than 10x. Only two collections succeeded in doing so: Azuki Zen, which had an average mint price of 0.94 ETH; and Invisible Friends, which was sold at a fixed price of 0.25 ETH. (At the time of writing, their floor prices were respectively 6.4 ETH and 19.5 ETH.)  .... '

Making Money with NFT Art?

Been intrigued by the Art marketing aspect of NFTs.  Here a short case study of interest. 

How Much Real Money Can You Make From Virtual Art?

By The New York Times,March 14, 2022

Late on a Friday last spring, Izzy Pollak decided to buy two Bored Ape NFTs, which — as a reminder for the many people thinking, Yeah, but I still don't know what an NFT is — means he bought unique, digital images (in this case, of apes).

As the owner of a Bored Ape, he now has commercial rights over the digital image to do with as he wishes. Many people choose to display their NFTs as their profile picture on social media accounts.

(And if you're wondering how ownership of a digital asset can be proven: Every NFT, or non-fungible token, has a distinct serial number, and the transaction history of each NFT is stored on the blockchain, so people can see who the real owner is.)

Mr. Pollak, 29, who bought three more a few months later, obtained these from a collection of 10,000 NFTs known as the Bored Ape Yacht Club. Some of the apes are wearing gold jackets or animal-print tunics. Others are smoking cigars or smiling widely. .... 

Alex Lugo, 29, used to drive trucks to support his wife and children, Jonathan, 5, and Layla, 9. Now, he says has saved enough that his children will “have the freedom to choose what they want to do with their lives.”  ...

In the NYT.