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Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Wednesday, July 19, 2023

Stable Doodle AI

 Interesting thought   ... 

Stable Doodle AI turns your scribbles into sketches

Yes, more AI-generated art.

By Meera Navlakha  on July 18, 2023

If you have sub-par artistic skills, it may be your time to shine. Artificial intelligence startup Stability AI has created an image-generating tool that turns doodles into detailed sketches.

What is Stable Doodle?

Aptly called Stable Doodle(opens in a new tab), the sketch-to-image tool can convert "a simple drawing into a dynamic image". The tool is geared towards "both professionals and novices" according to the company(opens in a new tab).

Examples of images show fairly dynamic images: a simple chair sketch, for example, is transformed into something detailed and colorful. It's not entirely unlike Lensa AI, the self portrait generator that proliferated picture-perfect selfies across Instagram.

SEE ALSO: Reddit-trained artificial intelligence warns researchers about... itself 

How does it work?

To create the images, Stability utilizes technology from its Stable Diffusion XL(opens in a new tab), the company's open-source imaging-generating model, combined with a condition-control solution T21-Adapter.   .... 

Tuesday, June 06, 2023

NeuralAngelo from NVIDIA via Neural Networks

Impressive, high detail transformation.   Could have used this in several past applications.  See videos at link. Architectural and other 3D vision apps.

 https://www.youtube.com/watch?v=PQMNCXR-WF8

Digital Renaissance: Neuralangelo by NVIDIA Research Reconstructs 3D

60,044 views  Jun 1, 2023

Neuralangelo, a new AI model by NVIDIA Research for 3D reconstruction using neural networks, turns 2D video clips into detailed 3D structures — generating lifelike virtual replicas of buildings, sculptures and other real-world objects. 

Like Michelangelo sculpting stunning, life-like visions from blocks of marble, Neuralangelo generates 3D structures with intricate details and textures.

Neuralangelo’s ability to translate the textures of complex materials — including roof shingles, panes of glass and smooth marble — from 2D videos to 3D assets significantly surpasses prior methods. The high fidelity makes its 3D reconstructions easier for developers and creative professionals to rapidly create usable virtual objects for their projects using footage captured by smartphones. 

Neuralangelo is one of nearly 30 projects by NVIDIA Research to be presented at the Conference on Computer Vision and Pattern Recognition (CVPR), taking place June 18-22 in Vancouver. The papers span topics including pose estimation, 3D reconstruction and video generation.

Read more: https://nvda.ws/3oF87HA

Learn more about NVIDIA Research at CVPR: https://www.nvidia.com/en-us/events/c... 

NVIDIA Research: https://www.nvidia.com/en-us/research/ 

Join the NVIDIA Developer Program: https://nvda.ws/3OhiXfl 

Read and subscribe to the NVIDIA Technical Blog: https://nvda.ws/3XHae9F

3D, Artificial Intelligence, AI, NVIDIA Research, Graphics, CVPR, CVPR2023, Neural Networks, Computer Vision  ... '

Friday, April 28, 2023

AR Art Takes Over British City

A novel idea. 

AR Art Takes Over British City

Wired, Elissaveta M. Brandon, April 24, 2023

The U.K. city of Sheffield has transformed its rooftops into an augmented reality (AR)-based art display. Launched in February, the "Look Up!" project is an "art trail" comprised of four buildings in the city's center, each coupled to a quick response (QR) code on the sidewalk below. Viewers can use a free smartphone application to scan the codes and follow animated arrows directing their gaze upward, to watch a stick figure made of multicolored balloons, a giant cat, and other whimsical animated characters onscreen. U.K. company Megaverse created the app and platform in partnership with U.S.-based AR developer Niantic, while local firms Universal Everything and Human Studio supplied the artworks. More than 1,500 people had downloaded the app and nearly 2,000 QR codes had been scanned in the week following the trail's launch.  ... 


Tuesday, February 14, 2023

NFT's and Art Definition in Court

Where will this lead?  Definition fading?   Not even artistically relevant?  Investment Caution.

ACM NEWS

Jury Rules that NFTs Aren't Really Art   By Futurism, February 13, 2023

This case seems to boil down to one of the most well-known fashion houses in the world enforcing its ownership of its brand.

In the past year, the NFT market has plummeted even worse than the cryptocurrency market.

A new legal precedent just dropped in the case of Hermès versus Mason Rothschild, a self-described "conceptual artist" who used the company's iconic Birkin bags as a backdrop for his "MetaBirkins" non-fungible token (NFT) collection.

As the New York Times reports, Hèrmes won its lawsuit against the 28-year-old artist after he sold NFTs that featured the legendary handbag with all kinds of strange overlays, from a clear version that had a fetus edited into it to a fuzzy-handled one that had mammoth tusks.

A nine-person federal jury in Manhattan ruled this week that in spite of Rothschild's insistent cries of protected artistic expression, he had nevertheless infringed upon Hèrmes' copyright — and failed to meet a legal test used to determine what is and isn't art, too.

Using the Rogers test – named after the actress Ginger Rogers, who in 1989 sued filmmaker Alberto Grimaldi for using her trademarked name in the film "Ginger and Fred," only to have a jury rule that the filmmaker's use of her name was "artistically relevant" — the jurors in the "MetaBirkins" case determined that Rothschild's NFTs didn't meet that standard.

From Futurism

View Full Article    

Sunday, February 05, 2023

Virtual Birkin Bags on Trial in Hermès Case Testing IP Rights

 Virtual property rights examined in NFT's examined.  Assets , virtual versus actual.  

Virtual Birkin Bags on Trial in Hermès Case Testing IP Rights

By The Wall Street Journal, February 3, 2023,  in CACM

Image shown:  A Laura Merkin Georgie ruffled metallic clutch.

Legal analysts say the trial represents an important early test of how a company can exercise its rights against virtual assets it didn’t authorize.

French luxury brand Hermès is suing digital artist Mason Rothchild in a New York court to prevent him from selling nonfungible tokens (NFTs) of its Birkin handbags, claiming it violates trademark law and dilutes its brand.

Rothchild argues the First Amendment protects his "MetaBirkins" as artwork, while legal analysts say the case is an early test of exercising rights against unauthorized virtual assets.

In his legal declaration, the artist maintains the NFTs are imaginary bags rather than replicas, intended to artistically explore conspicuous consumption.

Hermès responded in court documents that Rothchild "seeks to make his fortune by swapping out Hermès' 'real-life' rights for 'virtual rights'.”

From The Wall Street Journal

Thursday, January 26, 2023

Computer Scientist Says AI 'Artist' Deserves Its Own Copyrights

More on this ...  Art in particular mentioned here.  

Computer Scientist Says AI 'Artist' Deserves Its Own Copyrights

Reuters, Blake Brittain, January 11, 2023

Computer scientist Stephen Thaler has requested the Washington, DC, District Court to rule his Creativity Machine artificial intelligence (AI) system deserves copyrights for art it produces. Thaler asked the court to rescind a U.S. Copyright Office ruling decreeing that copyrightable creative works can only be human-made. His lawyer, Ryan Abbott of Brown Neri Smith & Khan, said the case has a "real financial importance" that may have been previously overlooked, and the protection of AI-created art would serve the goals of copyright law. Said Thaler in his court filing, "The fact that various courts have referred to creative activity in human-centric terms, based on the fact that creativity has traditionally been human-centric and romanticized, is very different than there being a legal requirement for human creativity."  ... ' 

Monday, September 26, 2022

X-rays, AI and 3D printing Bring lost Van Gogh Artwork to life

Worked previously with UCL

X-rays, AI and 3D printing bring lost Van Gogh Artwork to life

by University College London

Using X-rays, artificial intelligence and 3D printing, two UCL researchers reproduced a "lost" work of art by renowned Dutch painter Vincent Van Gogh, 135 years after he painted over it.

Ph.D. researchers Anthony Bourached (UCL Queen Square Institute of Neurology) and George Cann (UCL Space and Climate Physics), working with artist Jesper Eriksson, used cutting edge technology to recreate a long-concealed Van Gogh painting.

It's the latest in their "NeoMasters" series of recreations, a project they've been working on since 2019 to bring lost works of art to life.

They developed a process to recreate lost works that uses X-ray imaging to see through every layer of paint, AI to extrapolate the artist's style, and 3D printing to fabricate the final piece.

This newest effort, dubbed "The Two Wrestlers," depicts two shirtless wrestlers grappling in front of an abstract background. It recreates a painting originally by Van Gogh who covered over the two figures when he reused the canvas for an unrelated painting of flowers.

Bourached, who is researching Machine Learning and Behavioral Neuroscience at UCL, says that "how much it is like the original painting is impossible to tell at this point because the information doesn't exist. I think it's very convincing—by far the best guess we can get with current technology."

The obscured image was first discovered in 2012 when art experts at the University of Antwerp investigated whether the work "Still Life with Meadow Flowers and Roses" was an authentic Van Gogh. The researchers examining the artwork used X-rays to peer through the layers of paint and discovered two ghostly figures that had been painted over.

The covered-over wrestlers displayed brush strokes and pigments that were consistent with Van Gogh, and the subject matter was also a common theme at the Antwerp Art Academy where Van Gogh was studying in 1886, authenticating the work. ... '

Monday, September 12, 2022

Cheating at Arts Competition?

 Expect to see more things of this type.  Redefining art?

AI Used win Arts Competition     By The New York Times

September 12, 2022 

When Jason Allen submitted his "Théâtre D'opéra Spatial" into the Colorado State Fair's fine arts competition last week, the sumptuous print was an immediate hit, beating 20 other artists in the "digitally manipulated photography" category to win the first-place blue ribbon and a $300 prize.

What Allen had only hinted at, however, was that the artwork had been created in large part by an artificial-intelligence tool, Midjourney, that can generate realistic images at a user's command. The portrait of three figures, dressed in flowing robes, staring out to a bright beyond, was so finely detailed the judges couldn't tell.

Allen's piece offers a clear example of how rapidly AI-generated art has advanced. Trained on billions of internet images, the systems have decisively pushed the boundaries of what computers can create.

Full Article   

Friday, May 13, 2022

Ancient Art Meets AI

 Reported on this before,   unexpected connection.

Ancient Art Meets AI for Better Materials Design

Argonne National Laboratory, John Spizzirri, April 7, 2022

University of Southern California (USC) researchers combined kirigami, the ancient Japanese art of paper cutting, with autonomous reinforcement learning to help improve materials design. In an effort to create a two-dimensional molybdenum disulfide structure embedded with electronics that can stretch while remaining stable, the researchers determined that a series of precise cuts could enable the thin material to stretch up to 40%. To determine the correct combination of cuts, the researchers performed simulations on the Theta supercomputer at the U.S. Department of Energy's Argonne National Laboratory. The model was trained on 98,500 simulations of kirigami design strategies involving one to six cuts; even without additional training data, it determined in a matter of seconds that 10 cuts would provide more than 40% stretchability. USC's Pankaj Rajak said, "It learned something the way a human learns, and used its knowledge to do something different."

Monday, April 04, 2022

Making Money with NFT Art?

Been intrigued by the Art marketing aspect of NFTs.  Here a short case study of interest. 

How Much Real Money Can You Make From Virtual Art?

By The New York Times,March 14, 2022

Late on a Friday last spring, Izzy Pollak decided to buy two Bored Ape NFTs, which — as a reminder for the many people thinking, Yeah, but I still don't know what an NFT is — means he bought unique, digital images (in this case, of apes).

As the owner of a Bored Ape, he now has commercial rights over the digital image to do with as he wishes. Many people choose to display their NFTs as their profile picture on social media accounts.

(And if you're wondering how ownership of a digital asset can be proven: Every NFT, or non-fungible token, has a distinct serial number, and the transaction history of each NFT is stored on the blockchain, so people can see who the real owner is.)

Mr. Pollak, 29, who bought three more a few months later, obtained these from a collection of 10,000 NFTs known as the Bored Ape Yacht Club. Some of the apes are wearing gold jackets or animal-print tunics. Others are smoking cigars or smiling widely. .... 

Alex Lugo, 29, used to drive trucks to support his wife and children, Jonathan, 5, and Layla, 9. Now, he says has saved enough that his children will “have the freedom to choose what they want to do with their lives.”  ...

In the NYT.    

Monday, March 07, 2022

Selling NFT Art in Strange Places

I would be careful about this.

 An NFT Art ATM?  By Reuters, March 4, 2022

The first in-person non-fungible token (NFT) vending machine has been installed in New York City by digital art collecting platform Neon.

The "NFT ATM," located in a small storefront in Lower Manhattan's financial district, sells QR codes connected to pieces of online art ranging in price from $5.99 to $420.49.

Customers do not know which piece of digital art they have purchased until they scan the QR code, which allows them to display the art on any smartphone, laptop, or tablet.  Neon's Kyle Zappitell said the target customer is "the crypto curious, the people who tried to buy cryptocurrency or they were interested in buying an NFT, but they just hit too many barriers." ...

While digital art is mostly offered via cryptocurrencies, the NFT ATM accepts fiat currency; you can use a credit card to make a purchase. ...

From Reuters   

Tuesday, February 01, 2022

NFT and the Real Art World

Selling and reselling real Art?

 Picasso's Descendants to Sell More Than 1,000 NFTs Linked to Never-Before-Seen Ceramic Work

By The Washington Post, January 31, 2022

Pablo Picasso's descendants plan to auction off more than 1,000 digital pieces representing a previously unseen ceramic work by the Spanish artist.

The non-fungible tokens (NFTs) are connected to a ceramic piece the artist created in October 1958.  Purchasers will not own the ceramic or rights to images of it; they will be buying digital tokens, unique digital representations of the piece that certify their authenticity, Florian Picasso, his great-grandson, said, "We're trying to build a bridge between the NFT world and the fine art world."

The NFTs will be accompanied by music compiled by Florian Picasso, songwriter John Legend, and rapper Nas.  A portion of the proceeds of the auction are to be donated to charity.

From The Washington Post 

Wednesday, August 25, 2021

Non Fungible Tokens and the Future of Art

A further look at the use of blockchain tech to create unique digital expressions, aka 'Art', and provide proof of ownership.    And trade the Art in the real world.  Note also the inclusion of 'smart contracts',  which can guarantee additional contracted payment to an artist on future sales.  

Non-Fungible Tokens and the Future of Art   By Logan Kugler  in CACM

Communications of the ACM, September 2021, Vol. 64 No. 9, Pages 19-20  10.1145/3474355

Behind Jeff Koons and David Hockney, the most lucrative auction for a piece of art from a living artist happened in 2021—and it was for a work that existed in a JPEG file. The artist Beeple's "Everydays—The First 5,000 Days," a series of digital artworks, sold at Christie's for the princely sum of $69.3 million.

It was a stunning event made possible by a technology called non-fungible tokens (NFTs).

NFTs are cryptographic tokens built on the Ethereum blockchain. NFTs are "minted," then sold, just like Bitcoin. The difference, though, is that Bitcoin is "fungible." If you swap Bitcoin with someone, you both still have the same asset: some amount of Bitcoin. There's no functional difference between one Bitcoin or another.

However, NFTs are "non-fungible." Each token is unique, and that token proves that you, and only you, have ownership rights over a digital asset—like Beeple's art. As a random Internet user, you can view Beeple's "Everydays—The First 5,000 Days" online, but only the person who bought the NFT tied to the art owns it.

This dynamic creates a simple, but powerful, change in how digital art works: it makes digital art exclusive. Once minted on the Ethereum blockchain, the NFT is represented on a public ledger that can't be changed. By owning the token, you are proven the owner of the art piece. There is nothing stopping someone online from viewing, copying, and sharing a digital art file, but thanks to NFTs, they cannot fake possession of the art. NFTs make it possible to have exclusive ownership of digital art—something that was previously impossible.

In some cases, artists like Beeple may structure the NFTs tied to their work in unique ways. They may retain rights to reproduce the image. They also may require automatic royalty payouts every time the NFT is resold.

Think of an NFT like the documents that come with owning an original Picasso. Art experts verify your Picasso is, in fact, original; they verify your ownership and provide documentation. As a result, the world accepts that you own an original Picasso.

The only big difference here is that NFTs make it possible to verify ownership of digital assets. Unquestionably there exist plenty of fraudulent Picassos, but given the limited supply of his works, and the legions of experts evaluating paintings, it is possible to prove that an individual owns a specific, legitimate Picasso.

It used to be impossible to do this for digital art. You could create digital art and everyone would know you made it, but anyone could reproduce it and share it with the entire world at the click of a button. In a scenario in which you can duplicate art with perfect fidelity indefinitely, the artist has some legal recourse to protect against how reproductions are used in commercial ventures. But who owns the original piece? What is the original piece? Is it the first file the artist created? Is it the first version of the finished piece?

Before NFTs, there was no widely accepted way to determine the "original" piece of a digital artwork. There was also no widely accepted way to prove or transfer its ownership. NFTs have changed that, and with it, they're changing the world of art.

"We feel very confident that this is just the beginning for NFTs," says Meghan Doyle, a cataloguer of post-war and contemporary art at auction house Christie's. "There is tremendous potential for NFTs in the art market and beyond. As a mechanism, the potential that NFTs have to shift the way that we establish ownership has no bounds."

A Better Way to Create

With this ability to mint ownership of digital assets, NFTs have transformed how artists and creators make a living while changing how we buy, sell, and relate to art. NFTs also have expanded interest in blockchain technology beyond investment in Bitcoin and Ethereum. Experts still debate whether NFTs are the future of art or just a fad, but the amount of money changing hands for art backed by NFTs has the art world, technologists, and financiers paying attention.

The biggest mainstream use of NFTs today is for artwork, thanks to Beeple's big sale.

NFTs are so prevalent in art because digitally native creators can bestow scarcity on works that consist entirely of pixels, says Doyle at Christie's. They enable creators to earn more than they would outside the restrictions of the fine art world. Today, creators typically only get paid when they initially sell a piece of artwork; should the artwork's new owner sell it to someone else, they pocket any gains made—and the artist gets nothing. However, NFTs use smart contracts to verify ownership and terms. Those terms can include paying the original artist royalties every time the artwork changes hands.  ... ' 

Monday, May 10, 2021

AI's for Art Forgery?

Some good points made here, in their current state these are not really even forgery-perfect.   But they could be.  And not to say they could not do other kinds of counterfeiting that don't require so much testing and identity accounting.   

AI: The Next Great Art Forger

Posted by Stephanie Glen in DSC

AI develops new “art” using image analysis.

GANs do not create, they repaint.

The result is a pastiche, a poor copy of the real thing.

AI art is created with algorithms that enable AI to learn a specific aesthetic by analyzing thousands of images; The algorithm then attempts to generate new images based on that learning [1].  Original pieces can also be created by GANs, which pit two neural networks against each other. The result is “art” that is difficult to differentiate from human-made artwork. One such piece, Portrait of Edmond Belamy, sold for a staggering $432, 500 when it went under the hammer at Christie’s Prints & Multiples sale at Christie’s on 23-25 October last year [2].

But do these AI-generated pastiches qualify as real art? Probably not. Many in the art and AI communities agree that these cannot be called art, at least in the traditional sense. Even if you could stretch the definition of art to include AI-generated images, they are of poor quality and no better than a factory produced knock off.    ..." 

Wednesday, April 07, 2021

Non Fungible Tokens and Resources Examined

Was struck by the very idea of a Non Fungible Toke (NFT)  and noticed this article in Andreessen Horowitz that points to lots of resources and announces upcoming coverage.   What would Da Vinci have made of NFTs? 

NFT Canon   by Sonal Chokshi, Chris Dixon, Denis Nazarov, Jesse Walden, and Linda Xie

The NFT Canon is a go-to resource for artists and creators, developers, corporations and institutions, communities and other organizations seeking to understand or do more with non-fungible tokens.

It’s a curated list of readings and resources on all things NFTs (inspired by the a16z Crypto Canon), and is organized from the big picture of what NFTs are and why they matter, to how to mint, collect, and do more with them — including various applications such as art, music, gaming, social tokens, and others. 

We will continue to update this as more people try out new things, share their work, or publish resources for learning about NFTs. If you have suggestions for quality pieces to add, let us know @a16z.  ... " 

Monday, March 29, 2021

Online Art

For those of you interested in online art collections, I am a follower, here is a newly established free, online displayed collection from the Louvre:   Below link takes you through to more detail and to the collection. 

ABOUT THE COLLECTIONS WEBSITE

The database for the Louvre’s collections consists of entries for more than 480,000 works of art that are part of the national collections and registered in the inventories of the museum’s eight curatorial departments (Near Eastern Antiquities; Egyptian Antiquities; Greek, Etruscan and Roman Antiquities; Islamic Art; Paintings; Medieval, Renaissance and Modern Sculpture; Prints and Drawings; Medieval, Renaissance and Modern Decorative Arts), those of the History of the Louvre department, or the inventories of the Musée National Eugène-Delacroix, administratively attached to the Louvre since 2004. ... " 

Overall Index.

Friday, September 04, 2020

Machine Generated Art

Automated art has been around for a long time, but it has never clicked in a substantial way.  Will some of these advances change that?  Is the case where such attempts should really be more direct collaboration with humans? 

Rewriting the Rules of Machine-Generated Art

MIT News
Kim Martineau
August 18, 2020

Massachusetts Institute of Technology (MIT) researchers have shown it is possible to edit deep layers of neural networks to generate images never seen before. Generative adversarial networks (GANs) typically are trained on massive datasets, but MIT’s study suggests large datasets are not essential to the process. Said MIT's David Bau, "We’re like prisoners to our training data. GANs only learn patterns that are already in our data, but here I can manipulate a condition in the model to create horses with hats. It’s like editing a genetic sequence to create something entirely new, like inserting the DNA of a firefly into a plant to make it glow in the dark.” The tool has immediate applications in computer graphics, and in teaching expert AI systems to recognize rare features and events through data augmentation. ... " 


Wednesday, September 11, 2019

Reprogrammable Colors in Ink Make Chameleons

When I first scanned this it seemed trite, but then I though of a whole group of possible ideas.  Say a car that could become more visible in  darkness.    Or new kinds of art or marketing that could change with their environment.  Or?

Objects Can Now Change Colors Like a Chameleon
MIT News   By Rachel Gordon
September 10, 2019

Researchers from the Massachusetts Institute of Technology (MIT) Computer Science and Artificial Intelligence Laboratory (CSAIL) developed a system that uses reprogrammable ink to allow objects to change colors when exposed to ultraviolet (UV) and visible light sources. The PhotoChromeleon system uses a mixture of photochromic dyes that can be sprayed or painted onto the surface of any object; exposure to UV light saturates the colors in the dyes from transparent to full saturation, while exposure to white light desaturates them as desired. Said MIT’s Stefanie Mueller, "By giving users the autonomy to individualize their items, countless resources could be preserved, and the opportunities to creatively change your favorite possessions are boundless."  .... ' 

Sunday, February 24, 2019

Advances in GANS

To me one of the most interesting examples of neural neworks, a kind of mixture between nets and game simulation.    We did do something similar by generating process examples to test Monte Carlo simulation.   Have never implemented one, but worth knowing about.

Advances in Generative Adversarial Networks

A summary of the latest advances in Generative Adversarial Networks
Written by Bharath Raj with feedback from Rotem Alaluf

Generative Adversarial Networks are a powerful class of neural networks with remarkable applications. They essentially consist of a system of two neural networks — the Generator and the Discriminator — dueling each other.

Given a set of target samples, the Generator tries to produce samples that can fool the Discriminator into believing they are real. The Discriminator tries to resolve real (target) samples from fake (generated) samples. Using this iterative training approach, we eventually end up with a Generator that is really good at generating samples similar to the target samples.

GANs have a plethora of applications, as they can learn to mimic data distributions of almost any kind. Popularly, GANs are used for removing artefacts, super resolution, pose transfer, and literally any kind of image translation, as shown below:  ....  "

And also, CycleGans, a variation that has been used to generate Art.

Thursday, August 23, 2018

Cristie's to Sell AI Art

Consulted for the Auction industry in past years. Can such art also be profitable for sale?

Is the Art Market Ready to Embrace Work Made by Artificial Intelligence? Christie’s Will Test the Waters This Fall

The auction house is selling an AI-produced work of art for the first time this fall.

By Naomi Rea