Designing Designs

Our one time connection point at MIT's Center of Bits and Atoms talks about design of designs.   And as he puts it 'Learning Representation'.   In the interim we can make things better by doing things faster,  making more of them, crowd sourcing solutions or by forcing some partial solution.  But the real learning is representation, or architecture ...  that can make things work.   - FAD

Morphogenesis for the Design of Design
A Talk By Neil Gershenfeld [7.31.19]

As we work on the self-reproducing assembler, and writing software that looks like hardware that respects geometry, they meet in morphogenesis. This is the thing I’m most excited about right now: the design of design. Your genome doesn’t store anywhere that you have five fingers. It stores a developmental program, and when you run it, you get five fingers. It’s one of the oldest parts of the genome. Hox genes are an example. It’s essentially the only part of the genome where the spatial order matters. It gets read off as a program, and the program never represents the physical thing it’s constructing. The morphogenes are a program that specifies morphogens that do things like climb gradients and symmetry break; it never represents the thing it’s constructing, but the morphogens then following the morphogenes give rise to you.

What’s going on in morphogenesis, in part, is compression. A billion bases can specify a trillion cells, but the more interesting thing that’s going on is almost anything you perturb in the genome is either inconsequential or fatal. The morphogenes are a curated search space where rearranging them is interesting—you go from gills to wings to flippers. The heart of success in machine learning, however you represent it, is function representation. The real progress in machine learning is learning representation. How you search hasn’t changed all that much, but how you represent search has.

These morphogenes are a beautiful way to represent design. Technology today doesn’t do it. Technology today generally doesn’t distinguish genotype and phenotype in the sense that you explicitly represent what you’re designing. In morphogenesis, you never represent the thing you’re designing; it's done in a beautifully abstract way. For these self-reproducing assemblers, what we’re building is morphogenesis for the design of design. Rather than a combinatorial search over billions of degrees of freedom, you search over these developmental programs. This is one of the core research questions we’re looking at. ..... "

NEIL GERSHENFELD is the director of MIT’s Center for Bits and Atoms; founder of the global fab lab network; the author of FAB; and co-author (with Alan Gershenfeld & Joel Cutcher-Gershenfeld) of Designing Reality. Neil Gershenfeld's Edge Bio Page